Comedic Styles: The Clean Comedian

We will continue our series on comedic styles with the clean comedian.  Some would probably say this isn’t a style, but I think it is.  Being a clean comedian or telling “clean” material is about more than just not cursing.  A lot of people associate this type of comedy (or they used to) with the boring comedian that tells jokes in front of a conference room full of people.  That stigma has changed in recent years because of comedians like Brain Regan and the fact that writing clean comedy is the fastest way to get on network TV, which leads to possibly getting booked in comedy clubs. So without further ado… let’s get into it!

Pros:

The ability to perform anywhere.  No one has ever kicked a “clean” comedian off the lineup (unless they are just not good).  You have the ability to perform in all group settings, so if there is a mixed aged audience (like with children) you will not worry anyone with your presence.

The ability to quickly advance.  If you are a clean comedian, you have that ability to work as a host much sooner because you won’t turn the crowd as quickly as someone that may be little more coarse. This is great if you are trying to get into clubs.

The ability to make more money as a corporate comedian or maybe on cruise ships.  There is so much money out there for a comedian that works clean!  If you can show promoters that you have quality clean material, you can book these gigs that my not be on the radar of people looking to get into clubs, but pays way better.

Cons:

Bar shows can be hard.  A rowdy bar may not pay attention to the clean guy if he doesn’t have a couple of jokes that can get their faces out of their beer.

Depending on you joke writing talent, writing clean material can be harder.  Not saying that curse words or dicks are essential to making a joke, you may not be digging deep enough into you mind to find material that can work out as clean.

I think every comedian should have a clean set.  Whether that means pulling curses and the more lewd details out of your existing jokes, or writing an entirely new set of jokes just for those cases, I think if you are trying to get work as a comedian, you should be as flexible as possible when it comes to your content.  When I am booking a corporate show, it is much harder to suggest comedians that I know are funny, but can’t do solid clean time.  If you don’t care about paying your rent with comedy then that is cool.  I don’t want you to sacrifice your beliefs just for money, but isn’t it cool to be able to get paid doing something you love?

Finding Your Niche In The Market

If you are just starting out on your comedy journey, then you may be trying to find ways to target the people that will enjoy your comedy.  This is why I am here.  I will try my best to help you.  I am using demographic and niche kind of interchangeably, please don’t get too butt hurt.

Here is the thing you have to learn first of all.  When you are just starting out.  You will usually have no clue the demographic that will enjoy your material.  This is completely normal. Don’t sweat this too much.  The more you write and the more you perform, the more you will get a grasp on who in the audience is enjoying your material.  Another thing to take into account is that everyone, and I mean EVERYONE falls into some sort of niche or category and sometimes you will be able to operate in multiple niches.  Even someone like Kevin Hart, arguably the hottest comedian on earth right now, falls into a niche.  His niche seems to be very large, but it is still a niche.

Some people have an idea of where their material is taken them.  There is a comedian I know that has a large chunk of “drug material”, when he is getting booked for shows, he is usually getting booked on shows where drug use is the theme or in places that are a little more “loose”.  This is not his only niche however, because he is a talented comedian, he can do other stuff.  This is important when you do not have a large fan base because it allows you the ability to work more often.  If he could only tell jokes about drug use, then he would be extremely limited, especially in an area of the country that is a little more conservative, and frowns upon that sort of stuff.

Some comedians don’t have no clue who will like their comedy so they bounce around until the hole in the market opens allowing them to fill it.  This is what happened to me about six years ago, when there were a lot of corporate comedy going on and they wanted comedians that could perform relatively clean.  It was something I didn’t want to do because I enjoy cursing and doing what I want on stage.  The thing that got me doing it was because of all the benefits of doing these sorts of shows.  You usually did one show and they feed you and paid for travel expenses and the pay was really good.  I figured since all I had to do was not curse that much, I could do it since there weren’t that many comedians in the area that could.  It helped me earn a good deal of money and because the market is still in need of that type of comedian in Eastern Washington I can get a lot of work.

I would not say this is the only niche I can fill though.  People want to put me on shows because I am black, or because I am a veteran.  Sometimes you have to use your life experiences to your advantage. I know of former teachers turned comedians that are now performing at corporate events for teachers.  Former drug addicts that go around and perform for others to put a lighter spin on a serious issue.  There are many niches in the market that can be filled if you know that it exist and that you can target it appropriately.

How do you find these niches in the market.  Well, if you are a comedian then go to Facebook and find a area page for comedians.  Every area has one.  Join it, and see what bookers and comedians are looking for.  If you fill that need then go after it and network seeing if it is a market that you can use further down the line.  Another way is going to a site like GigMaster or GigSalad and signing up (you can sign up for free, but they usually want your money), you can then observe the types of shows people are putting, and then you can hopefully go on to fill.  I do a lot of private shows during the fall and winter and it is because of sites like these that I know about them.

If there is one more piece of advice I can give you it is this:  Don’t pin yourself into one corner!  Just because you like video games, doesn’t mean that everyone on the planet will want to listen to that.  Write what you like, but keep yourself open until you gain a following and can afford to do what you want.

What A Major Club Will Do For Your Local Scene

The Spokane Comedy Club (SCC) has been operating in town for almost a year, and in that year, it has transformed comedy in the area.

One of the biggest ways that SCC changed the area was just in the visibility of comedy.  Before SCC, a very small number knew about the clubs that came before it.  For years I would have people ask me where I perform, and when I told them that there was a comedy club in town, they would have a shocked look on their face, as if I told them that I am actually a little person standing on another little person’s shoulders.  It was frustrating because all of your attempts to get comedy in the area to be recognized seemed to be for naught.  The clubs before SCC just didn’t do a good job at advertising.  Just putting a sign up in front of a bar saying comedy doesn’t work as well as it did before.

Having a big club in town means you will have more people trying to become comedians.  People see the club, and then think this is their way to stardom. This is always a good thing because usually those are the more vocal people that will get word out that comedy is going on.  This leads to more packed open mic line ups, but it means they will get their family and friends and co workers to come see them.  This works out like a grass roots advertising campaign.

A weird thing happened to the scene about 9 months after the club came to town, a lot of the more seasoned comedians stopped coming around.  It was weird because, here we are with a club that is being packed, and the people that stuck it out in shady open mic dens are no longer to be found.  I hypothesized that it was because the talent level of what the new club wanted discouraged these comedians to a point that they no longer come out.  That is quite sad because this is what all those empty shows were all about!  You are about to be rewarded now, and you stop coming around.  It is heartbreaking.

If there is one negative to having a major club hit our scene, it has to be with independent shows.  Before the club came to be, there were a lot of independent shows around the town.  Eight months after the club?  80% of those shows disappeared.  I think what happened was all of these comedians that were putting on these shows thought that they would be working the club, when that didn’t happen for a lot of them, it left a hole in independent shows.  Don’t get me wrong, there are guys that were still producing shows when the bottom fell out, but not at the level that is was before the club came to town.

The club has given me, personally, a lot more exposure.  I get to perform a lot more private shows for a lot more money because people have seen me at the club.  I also get chances to perform with some really big names in comedy because of them and that increases my chances of working with them in the future. Having a club of this nature in the area did good things for me as a comedian, and I think for the whole of the Spokane area.  This area has so many people, and the fact that no one was serving them top notch comedy was almost a crime.  Now that the club is approaching one year, I think it will do better things for our scene.

Comedy And The Modern Market

The world keeps turning, but the world of comedy doesn’t seem to spin at the same speed.  As an industry, we are really behind the times in a lot of ways.  Let’s talk about some of them.

Pay: This may be where the comedy industry as a whole has fell way behind.  Right now, the going rate on the west coast of the United States for one nighters (just one show) is $100 for a feature and $200 for a headliner.  That has been the amount of pay for about 25 years!  What other profession has been this stagnant?  Hell, teachers have gotten more raises, and no one like to pay teachers.  The reason it is this way is because comedians just accept it as such.  Whenever someone does say something, 2,000 comedians come out of the wood work and agree to the old price.  You can’t fix what most don’t see as a problem.

Venue Responsibility: It has been this way since I started, but if a place wants to do comedy and they are not willing to invest anything in it (just throwing up flyers in your bathroom is not going to cut it) then you have to decide if it is worth it.  If you are just trying to line your pockets, then you don’t care if four people show up to a bar show if you already have your money, but they may never do another show again.

Merchandising: Selling items after shows has become more than just a way to supplement your gas budget.  Years ago, you would sell a cd or a shirt, but now comedians are selling everything from pens to bumper stickers.  This makes it easier for a comedian to go to any venue in the country because then they will be able to make a decent amount of money.  That doesn’t mean the pay shouldn’t be raised though.

Social Media: No longer do you just walk into town and do a show.  You can announce your arrival weeks in advance.  This can generate buzz, and in the future, when you do return, you can build a following that can help you make even more money.

These are just some of the things that can help the comedian in the modern market.  What is important is to keep looking for ways to get noticed by more people. More people that know you exist means more potential people that will show up to a show.

Following Your Dreams Is Not Enough

You hear it all the time:  “Follow your dreams!”  “Do what you love!”.  It is such an empty statement.  Following your dreams isn’t enough, and if that is all you are doing then you will most likely never achieve them.

We will look at this saying from a comedy stand point of course, this is a blog about comedy (and photos sometimes).  I see it all the time where someone wants to be a comedian, but then there are a lot of stipulations to when they want to be a comedian.  They come out to an open mic once and now they plaster their social media accounts with the label: comedian.  That isn’t enough if you REALLY want to be a comedian.  What people learn quickly is that there are a lot of funny people at the bottom and a lot of not as funny people at the top.  Comedy is not an empirical discipline where the funniest get the great stuff and the not funny remain at the bottom.  That means that if you want to be a comedian, it takes more than just the thought of being a comedian, and it frustrates me when I see comedians that are “following” their dreams when instead they should be fighting for them.

Every successful comedian’s story is full of times they had to fight to keep doing what they love.  They didn’t sit at home because it was cold outside. They jumped on a greyhound to get to a show.  They sat around all night to get that three minutes at an open mic.  They kept getting on stage and proving to management that they were good enough for more than just last minute replacement comic.  They sat their asses down and wrote and wrote and wrote.  Then they got lucky enough to be seen by the right person, but that also meant sleeping on couches and in their car.   The thing is, when I say successful, I am not talking about just the ones you see on TV.  This is the story of all the guys you see come through your town to perform on a given weekend.  That is what it takes to do this.

It frustrates me when I am talking to local comedians and they will give me so many excuses to why they can’t come out.  They have class.  They have a job.  They have a child.  These are all things that I personally have had to deal with, and you have to make some sacrifices.  When I was in college, I would get my class work done and then I would get my ass to the local open mic.  It was harder to get work, so what I did was only take stuff where I could get back home the same day. I had a job after class as well.  It usually meant being tired some nights, but I kept doing it because it was something that I truly enjoyed.  When I started my kid was three, so that meant that if I could not find someone to take her I could not go, but I did sacrifice a lot of time with her to pursue comedy because I felt I could make a living at it and she would benefit. Before college, I spent a lot of time driving for hours for shit pay so I could one day be able to do the shows I want for the money I want. Not everyone has my exact situation.  I’m just giving an example of some of the things you have to do.  After all of this, no one knows who I am.  I am not a nationally touring headliner.  I don’t have TV credits.  This is what I had to do to get this far.  And this isn’t all of it.  There was homelessness and overdue bills and all that, but it is what I loved so I fought to keep doing it.  Look, if you just want to come out every once and a while and dabble in comedy, then go ahead and do that.  Nothing wrong with stand up as a hobby, but I am talking about those whose dream is to do this for a living.  If you are not fighting for those dreams, then you can not be shocked when they do not come true.

How To Stand Out In Your Comedy Scene

A lot of comedians think that the best way to stand out is to just be funny.  All you have to do is write material, work it out week after week, and someday…you will be able to host!  Here is the thing that a lot of comedians just can’t understand: That is not the way to stand out in your scene.  I will tell you what does and why?

You may be saying, “Well, Harry, handsome mofo you, why isn’t being funny the best way to stand out?  That is my job, right?” Your job is to be funny, but being funny is just a part of being a comedian.  You have to think about all the stuff that a comedian does before and after they get on a stage and be funny.  You have to get to the show, on time.  You have to perform your time, not going over or under.  If you are gonna be on stage, you should probably not be up there so high that you forget your material, or go after people in the audience.  When you are off stage, it is probably not a good idea to touch the wait staff (unless they consent of course).

If you want to stand out, you have to do what the others around you are not willing to do.  For example, in Spokane, we have a major comedy club and some independent shows.  If you show up to the open mics and show yourself not be a douchebag, it is not that hard to rise to the top of the scene and start working at the club, where you can be sharing the stage with some huge names.  Because in almost every scene I have witness, there are the same groups of people.  You have the entitled people that think that they should get work because they have stuck it out. You have the comedy fans that are more into the idea of comedy then actually creating and performing their own stuff.  Then you have just lazy comedians that will not show up to open mics, and when they do they are still performing the same jokes.  It is not that hard to rise above these guys.  While they are sitting around wondering why no one is booking them, you are making face time with all the other comedians that are trying their best to, just like you, stand out and be noticed by the people that are booking shows.

People always look at me and assume I get work because I make people laugh.  That is so far from the truth.  At first it was because I was available, and that I could go to places at a moments notice.  Later, bookers turned to me because I was dependable. I got to the venue on time and was nice to the staff.  When the manager of the room sees that, they will book you again.  Now, if you suck, you will get some work, but after awhile it will be harder, but the idea here is to get your foot in the door with a lot of these bookers and promoters by being dependable.  Bookers need people to fill time.  Yeah they want a great show, but if the funniest person on the planet only shows up 50% of the time, then there is no show.

Look comedy is still hard, if you have read any of this blog you know that, the thing is to make sure that you are setting yourself up for success, and that means getting out and being seen and not being a horrible garbage person.

Where The Blog Is Heading

If you stop by this blog on the regular, you will notice that I have been pretty sparse with the articles during the 2016 calendar month.  There are many reasons for this.  2016 was a really good year comedy wise for me.  Lots of shows, but that also meant lots of travel.  It was hard for me to get out of a car after a five hour drive or after a plane ride and write an article on something.  That is not a great excuse, but it is the only one I have.  It is not that I have ran out of ideas for articles or anything, I have just been busy and have not had time to dedicate it to weekly articles.  I will try to change that.  I think I will start releasing articles on Sunday instead of Monday.  I don’t know why I started on Mondays, maybe it was the day after I got back into town after shows, so I was still hyped up.  I am also thinking of doing YouTube videos that mirror the blog because blogs have not been a thing for awhile.  I mean my favorite sites are basically blogs, but not many people get their information from blogs.  If they do, you don’t have to update it.  I keep getting about 50 hits a week about a article I wrote entitled ‘Donald Trump Is A Cartoon Super villain’.  I don’t think I wrote much about Trump, but the title alone keeps getting people to come.  I am glad people still come to the blog.  Last year was a down year, and I still managed about five thousand visitors.  For a site like IGN that is what they get in about a minute, but for a guy that has no TV credits and is not known, I think it is alright.  I want to thank you guys for sticking with me, and reading my stuff.  Like I have always said, this blog is by a guy that is living it just like every other comedian trying to break to the next level.  I will never pretend to know how to get an hour special, or get on Conan, but if I get those things, I will tell you how did it.  Thanks, and welcome to 2017 where there are still no rocket boots.