What is “real” in the comedy industry (apply to the entertainment industry as a whole)

I just finished an episode of ‘Black Market’ on Vice. The episode in question, talked about the use of “bots” to inflate numbers on streaming services and cause you to not be able to get that cool new item that just hit store shelves. Now, bot is a term used for programs that do what humans do, but way more efficiently. So, you want the new Jordan’s. You would have to click on the shoes and do all the fraud stuff to finally click purchase. A bot can do all that in seconds, and with multiple bots on the same page, they can scoop up all the in demand product before you got your wallet out. Now in terms of entertainment, it is being used to inflate streaming numbers. Bots are also being used to inflate social media numbers so that a person looks better to people wanting to use their platform to sell stuff.

So, as I watched this show, I thought to myself: What is real in this business?

Nothing new under the sun

You’ve no doubt heard the saying “nothing new under the sun” and that is the case here. Companies and business interest have been propping up certain people for ages to attract a certain clientele. In the old Hollywood days, they would have two up and coming stars go out on the town together to get the gossip going for a new movie. A rock band would get a sexy album cover done up so as to bother the pearl clutching masses.

When I first started comedy, the bringer show was popular. A bringer show is where the promoter will tell the acts that they will have to bring people to the show in order to get on stage. The more people you brought, the more stage time you got. This really inflated the numbers for the promoter. They look as though they know how to put on a show, when in fact they sold stage time.

There was also the “trick” of having a person that could fill seats “headline” and flood the rest of the line up with people because the headliner couldn’t do as much time as a headliner is usually required to do. Again, it inflated the confidence in the person that they could headline when in fact they used their family and friends to have a cool night at a bar.

Technology makes everything easier…and harder

Once social media became a thing and you could reach out to more people than just those within your view, it opened up a whole new level of tracking popularity and ways to exploit it. There are legit comedians who got a big push because they were relentless on social media. Any comedian that is decent can do this. If you are funny, and can make compelling content for social media you can see you numbers rise…maybe.

You see, those people I talked about up there are a very small number of super human, super weird people. Think about it. You have to be on social media and pumping stuff every day. The algorithm demands it! There are a lot of comedians that just forget or loose steam or have other things to do. I was on the road this weekend, and I had photos from the show I wanted to post, but because I was driving, in the freezing fog, I had other things on my mind than posting sick photos on social media. It is hard to keep up with the appetite of people that just want to be entertained so a lot of comedians will not gain as much traction as maybe their talents would relay.

We finally talk about bots and comedy

Stand-up comedy can be affected because just like music labels and advertising companies, clubs and promoters and bookers are looking at these same social media numbers to see if someone is “worth” it. Here is an example: Comedian A and Comedian B are both trying to get into a comedy club for this open weekend. Comedian A has 12 years of experience and some credits, but nothing that jumps off the page. Comedian B has been doing it for four and has amassed a following on Tik-Tok of 250k followers. The club will more than likely go with Comedian B.

This is not to say that Comedian B doesn’t deserve it. It’s just that for as long as stand-up has been around, the way up was creating an act that was funny through and through. So, just from what you see in front of you more experience could translate into a better show and happier patrons and repeat customers. That is not how comedy clubs work however. There is too much risk in having a low turnout weekend because no one knew the comedian they had there.

It’s not like clubs didn’t have an answer for this already. When a club had a person come in that wasn’t moving tickets organically, they would just “paper” the room. Papering the room is just giving out free or discounted tickets. The club isn’t really concerned about the money at the door (in some, but not all situations). They want to get into your pockets when you sit down to eat and drink, they just need you there. So, going with Comedian B and their 250k followers he has the potential of selling out a room…maybe.

Something is afoot

Here is where the issues lie. How do you know that the numbers you look at are true and not just inflated by none booze drinking computers? Sometimes by the time it’s too late. The club has the information that they usually dug up themselves or was given to them by the agent of the person coming in. Of course those numbers are gonna look more favorable for the talent. So the club doesn’t know if that person spent $1500 to get 100k followers or to get their videos to look as though more people are watching them. They just click on the profile photo and see that Comedian B has 250k followers.

In the online space, you can keep pulling this off until you accumulate a bunch of money and legit success or you get found out as a fraud. In the comedy industry though, it comes a lot quicker…and slower. Do you know how many shows I have done where the headliner was some Tik-Tok or Vine star and when I get there twenty people are in the audience? I used to say to myself: “Man, I guess no one in Spokane ever heard of them then.” Nah. That is their real draw, I am just giving people the benefit of the doubt because I have been told all my life that if I haven’t seen the success, that means I haven’t been working hard enough. What’s great about this though is that if they have a contract and guaranteed money, they will leave and do it to the next club or event space. No club wants to announce to the world that they had a low turn out for a show, so these people can keep on doing it until they get a DUI or something.

Is this bad for the industry

When I was thinking about writing this all up, the last thing I wanted to do was come off bitter. That is what guys who haven’t grasped technology do. Having a following online is a great way to connect and grow your audience. When you can show the same results with the use of technology, it changes the dynamic from funny and lucky to bot user and lucky.

I am not going to sit here and say that this is the end of comedy clubs and all that. Comedy clubs are in a weird space in the American entertainment landscape. There are so many comedians that can say any number of things that an unknown number of people can find off-putting or offensive. It is still weird when people won’t look up a video or anything on the comedian they are going to pay money to see just to find out if they fit their sensibilities. Do you just buy two tickets to see ‘Debbie does Dallas’ at 8 without trying to find out what kind of business she got in Dallas in the first place?

Comedy clubs have to be able to find people that will attract an audience. It is too hard to comb through every video and email every comedian you like when you can see someone that has a large social media following and hang your hat on that.

Where it does affect the industry is that everyone is chasing the same get big quick scheme. It is not about having an act that will just crush for 50 minutes. It’s about doing whatever it takes to gain a significant amount of social media presence and going to the clubs with that information. When you got people worried about how to make a video go viral instead of their act you may have an issue.

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